Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Rudolf Koller
Gletscher am Sustenpass

ID: 91644

Rudolf Koller Gletscher am Sustenpass
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Rudolf Koller Gletscher am Sustenpass


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Rudolf Koller

Rudolf Koller (1828-1905) was a Swiss painter.  Related Paintings of Rudolf Koller :. | Krautgarten | Die Kirche St. Remigius in Falera | Zweispannige Gotthardpost | Heuernte bei drohendem Gewitter | Kuhe mit Reiter am Wasser beim Zurichhorn |
Related Artists:
Giuseppe Bottani
Italian , Cremona 1717- Mantova 1784 was an Italian painter active in the Baroque period. He was born in Cremona. In Florence, he was a pupil of Vincenzo Meucci and il Puglieschi. He moved to Rome to work under Agostino Masucci, then he returned to Cremona after 1745. In 1769, he was named professor of painting and director of the Accademia di Belli Arti in Mantua. He was known for painting landscapes in the style of Gaspard Poussin, and figures in the style of Maratta. He painted a St. Paola taking leave of her Attendants as being in the church of SS. Cosmo e Damiano at Milan.
Nono, Luigi
Italian, 1850-1918
Giovanni Battista Paggi
Italian Baroque Era Painter, 1554-1627 Italian painter and theorist. As the son of a newly inscribed nobleman, he received a Renaissance gentleman's education, but as an artist he was it seems self-taught, despite the encouragement of Luca Cambiaso. The gentleman who then set up as a painter was obliged to give his work to patrons, sometimes expecting future remuneration; but when one patron reneged on payment in 1581, Paggi mortally wounded him and was banished from Genoa. He was given protection by Francesco I de' Medici, Grand Duke of Tuscany, and settled in Florence. A fresco of St Catherine Converting Two Criminals (1582), painted for Niccol? Gaddi's family chapel at S Maria Novella and thoroughly Florentine in manner, established Paggi's reputation at the Medici court. He painted ephemeral decorations, portraits (all untraced) and altarpieces for many Florentine churches and for the cathedrals of San Gimignano (c. 1590), Pistoia (1591-3) and Lucca (1597-8), having his studio in a house owned by Federico Zuccaro.






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